Jaqtılıq kóleńkesi

Kórkem-ónerde jaqtılıq kóleńkesi (russhada светотень, inglis tilinde chiaroscuro) — bul jaqtı hám qarańǵıniń kúshli qaramaqarsılıǵın paydalanıw. Bul qaramaqarsılıq pútkil kompoziciyaǵa tásir etedi. Bul texnikalı termindi súwretshi hám basqada kórkem-óner xizmetkerleri úsh-ólshemli zatlar hám figuralardı soqqanda paydalanıwda isletedi.

Giovanni Baglione. Divine Love Conquering Earthly Love (1602–1603), showing dramatic compositional chiaroscuro

Gallereya

Model tayarlaw, súwret salıwda paydalanılǵan jaqtılıq kóleńkesi

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  Fra Angelico c. 1450 uses chiaroscuro modelling in all elements of the painting
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  Saint Sebastian by Botticelli, 1474
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  Portrait of Juan de Pareja, c. 1650 by Diego Velázquez, uses subtle highlights and shading on the face and clothes
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  The Milkmaid c. 1658, by Johannes Vermeer, whose use of light to model throughout his compositions is exceptionally complex and delicate

Chiaroscuro in modelling; prints and drawings

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  Delicate engraved lines of hatching and cross-hatching, not all distinguishable in reproduction, are used to model the faces and clothes in this late-fifteenth-century engraving
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  Another fifteenth-century engraving showing highlights and shading, all in lines in the original, used to depict volume
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  Drawing by Leonardo da Vinci
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  Another study by Leonardo, where the linear make-up of the shading is easily seen in reproduction

Chiaroscuro as a major element in composition: painting

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  Annunciation by Domenico Beccafumi, 1545–46
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  Allegory, Boy Lighting Candle in Company of Ape and Fool by El Greco, 1589–1592
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  Crucifixion of St. Peter by Caravaggio, 1600
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  The Flight to Egypt by Adam Elsheimer, 1609
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  St. Peter in prison by Rembrandt, 1631
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  The Proposition by Judith Leyster, 1631
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  Magdalene with the Smoking Flame, by Georges de La Tour, c. 1640
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  Landscape chiaroscuro, Jan Both, 1646
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  Adoration of the Shepherds by Matthias Stom, mid-17th century
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  Antoine Watteau – La Partie carrée, c. 1713
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  An Experiment on a Bird in the Air Pump by Joseph Wright of Derby, 1768
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  The Bolt by Jean-Honoré Fragonard, c. 1777
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  Christ on the Mount of Olives by Francisco Goya, 1819

Chiaroscuro as a major element in composition: photography

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Chiaroscuro faces

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  Saint Jerome by José de Ribera, 1652
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  An Old Man in Red, by Rembrandt, 1652–1654
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  The Knitting Girl by William-Adolphe Bouguereau, 1869
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  Self-Portrait by John Everett Millais, 1881

Chiaroscuro drawings and woodcuts

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  Man of Sorrows, chiaroscuro drawing on coloured paper, 1516, by Hans Springinklee
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  A nineteenth-century version of the original type of chiaroscuro drawing, with coloured paper, white gouache highlights, and pencil shading
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  Saturn, anon. Italian, sixteenth-century?, Italian style chiaroscuro woodcut, with four blocks, but no real line block, and looking rather like a watercolour
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  Ludolph Buesinck, Aeneas carries his father, German style, with line block and brown tone block